In September 2011, I was invited to be part of an exhibition titled Time Body Space Objects, curated by Alice Vogler. For this exhibition, each artist was allotted an hour of performance time, on the theme of ‘commitment’. I wanted to create something that challenged me to commit to an action for the full hour allotted to me. I had been thinking a lot about John Cage at the time, and about his experience in the anechoic chamber at Harvard. Expecting to experience the ultimate silence, Cage was confronted by the sound of his own blood flowing in his body, and thus the impossibility of silence. I wanted to make a commitment to the omnipresence of sound, by way of introducing a single tone, generated by a keyboard. For one full hour, I stood in a corner and held one note. The chosen note mimics the drone of our blood flow, and gives us the opportunity to meditate on our own audio output. The commitment of this performance is its stillness. Like Cage’s anechoic chamber, this stillness provides an access point for the nuances of the sound, which present themselves over the course of the hour.
Philip Fryer is a performance, sound and video artist living and working in Boston, Massachusetts. His work is a meditation on mortality, chaos/order, and the body as a circuit. His recent exploration has been focused on using lo-fi technologies such as circuit bending and cassette tape loops, both as individual pieces and as elements of performances and videos.
photos by Sandrine Schaefer