“204 Hits Illuminating, Exhausting”
This piece follows a previous piece of a similar format where I find a tool that seems out of place in its environment and use it to make a performance and sculpture in the environment it was found in.
While the last piece was an urban tool in a rural setting, for this new piece, “204 Hits Illuminating, Exhausting”, I wanted the reverse. I purchased an ax from the Swap-O-Rama on Chicago’s South Side, and located a group of cement pillars only a few blocks away at an abandoned factory. In the pitch black and silent night, I swung the ax into the pillar until I was too physically exhausted to continue. The sound of the ax hitting the pillar created a sharp and metallic echo, triggering a pair of audio sensitive flashes to fire, illuminating the scene for a brief moment for two video cameras and one still camera.
With each swing, dust and cement filled the air before audibly sprinkling the ground. Towards the end of my performance (approximately 8 minutes), the battery life of the flashes also became exhausted, firing less frequently (sometimes only every few hits or out of sync with the hit, allowing sparks from the ax to be visible). Eventually, the flashes stopped firing all together, and I myself stopped soon after from physical exhaustion.
This work produced a 2 channel video installation, 23 photos from the still camera connected to flash (when the two fired in succession to create a lit image), and a 3 piece photo installation using 1 photo of the performance, 1 photo of the pillar after the performance, and the ax itself mounted in a light box.
“204 Hits Illuminating, Exhausting” seeks to embody a fruitless anger and masculinity that I find repulsive, but intrinsic in myself. This work is an exercise in futility and aggression and its necessary expression.
E. Aaron Ross is a 29 year old single white man living in Chicago. He grew up in the Western Suburbs,skateboarding and playing music in punk and hardcore bands, before attending the University of Illinois at Chicago, where he graduate with one B.F.A. in Moving Image (video/ film/ studio art), and a second B.F.A. in Graphic Design. He is the product of a blue-collar conservative father from the South-ern United States, and a workaholic single mother from Indiana.
“Digging Graves/Buried Dreams”
It is snowing and I walk for a while down side streets until I reach a dead end and climb over some clusters of rocks and end up on a beach next to a wooded area I have never seen before. I blindfold myself and walk down the beach, recording whatever was in front of me. I reach the woods and wander into it, cutting my hands and face on branches and thorns. As time passes it begins to snow harder and I am overwhelmed with fear of the cold and the fact that I couldn’t see anything around me. I could feel the snow and wind hitting my right side so I walked against it, figuring it was coming from the ocean. I eventually feel nothing around me so I take my blindfold off and am on the same beach I began on and walked home. I was lost in the woods, blindfolded, for about an hour.
” I am a native of Massachusetts and spent most of my formative years in Springfield, MA. When I was 18 years old I moved east and have been residing in Beverly, MA for the past two years, studying at Montserrat College of Art with a concentration in Book Arts.” -Sam Glidden