“Walk to Milwaukee”
In May 2013, I walked to Milwaukee, WI, from Chicago, IL. I walked an approximate 115 miles in 4 and a half days through northern Illinois and southeastern Wisconsin. I documented the walk using disposable film cameras.
I had the idea for the performance while driving through Indiana. The midwest is often regarded as flyover country, and I wanted to do the opposite and instead experience the scale of the midwest by walking through it. The train ride back from Milwaukee to Chicago took an hour and a half.
Adam Rose is the Artistic Director of Antibody Corporation, a mission based organization specializing in mind/body integration. His performances incorporate both movement and originally composed music.
Since 2009, he has presented performances in both Dance and Performance Art contexts throughout Chicago, IL, where Antibody is based, and nationally in Brooklyn, NY; Rosslyn, VA; Philadelphia, PA; Cambridge, MA; New Orleans, LA; Detroit, MI; Akron, OH; Columbus, OH; and Waterloo, IA.
“A picture of the [past, present, &] future”
In October of 2013, I visited the archipelago of Puerto Rico for my second time. There was an afternoon, in which I would be alone for several hours, so I decided to walk the 15 minutes from where I was staying in Cataño, to the nearby Bacardí distillery. A good amount of my work recently has been a response to Bacardí’s ad campaigns, especially regarding the “Cuba Libre”, which depicts the U.S. occupation of Cuba at the turn of the 20th century as a benevolent and liberating act. I entered the Bacardí complex knowing that I would do something. After my first complimentary cocktail, I decided to try the infamous “Cuba Libre” right from the source–it was gross [see Image 1]. Leaving the gated complex, I noticed how different the architecture and landscaping was within this rum-bottling oasis, a marked difference from the surrounding neighborhood of Cataño. I find a pair of gloves left on the freshly cut grass and display them in a visual homage to Max Klinger.
A few hundred feet away from the gates, a row of palm trees lines the road leading to La Esperanza (Hope) park–former holding site for the unassembled monstrous statue of Christopher Columbus designed by sculptor Zurab Tsereteli. A headless palm, with a soft, rotting trunk catches my eye–something I have never seen in person. As I investigate the surface tension with my foot, I am reminded of a quote I had recently read from the novel 1984: “Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face — forever.”
Thinking of Puerto Rico’s ongoing colonial relationship with the U.S., I decided to make this short performance.
Ian Deleón (b. 1987, Miami, 2nd generation Cuban/Brazilian)
“My current body of work may be best understood in terms of its allegorical relationship to archaeology, in which the meticulous uncovering, analyzing and restructuring of ‘media fossils’ allows me to better understand and critique the particular popular culture from which I have emerged. This deconstruction of images, sounds and text (strengthened by a background in film and video editing), provides an opportunity to re-examine mass media output through a variety of critical lenses, such as the post-colonial, feminist, Marxist, cyborg, and post-modern theories.” – Ian Deleón